Any endeavor goes better with the good aide and companionship of a faithful son. I am blessed to have my son’s help. Caleb put himself into brushing on the base coat. He is using one of my favorite brushes – a Corona sash with Tynex bristles. All through this coating process we are careful to use paints with a low sheen. This will minimize glare or hot spots from directional lighting or even ambient light.
After the base coat is dry I add a series of glazes to give the surface a sense of depth and variety in color. A piece of wood of almost any species will have a range of colors across its grain. With exterior exposure and much use a bare piece of wood such as a cross will accumulate mud, dust, bits of debris or dried blood.
Below is a section of the vertical piece where the back of the criminal would have rested. When I put on the “dried blood” glaze my son remarked,
“Wow Dad! That looks so real…and gory too.”
On reflection it seemed like a good idea to tone it down a bit. After it set up I applied a little layer of rottenstone, a compound used in the framing industry to give that “dust in the crevices” look. Much better, more subtle it looked after that.
Another effect adding to the realism was to paint in the evidence of birds having paid a visit. Birds like to perch on elevated spots where they can rest and get an unobstructed view of the world about them. A cross on a hill would be an inviting stop over when flying from here to there. Any place where birds frequent is a surface and edge that will be discolored by what these birds leave behind.